Analog Dog are back with a groovy, bittersweet gem that sounds like golden hour at a beach party you wish would never end.
“over it” walks in with a strut — the kind that says, “I’ve been through it, I’ve danced through it, and I’m still glowing”. There’s a beautiful tension here: the warm shimmer of 70s keyboards paired with sharp lyrics about letting go. It’s the kind of song that feels like looking back on a messy chapter from a distance — where the pain is softened by hindsight and a good baseline. You can almost picture it: someone lighting a cigarette they promised they quit, eyes closed, hips moving anyway.
I love not only the groove (though it’s immaculate) but also it’s intention. This isn’t passive nostalgia; it’s a reclaiming. A reclaiming of artistic vision, of emotional clarity, of choosing joy — even when the people around you won’t commit to the same beat. Written during a turbulent moment in Austin Waz’s creative and personal life, “over it” feels like a spell cast in synths, harmonies and disco drums. It’s for anyone who’s been ghosted by a collaborator or let down by a partner, but danced anyway.
There’s a richness in the vocals — multi-gender, layered, and warm — that adds to the track’s open-armed energy. It doesn’t preach, it pulses. And in between the verses and groove breaks, there’s something low-key psychedelic swirling in the background — not overpowering, just enough to make you wonder if the stars are actually moving. Analog Dog might be channeling 70s disco and 60s psych, but this is very much 2025 music: forward-thinking, emotionally intelligent, and engineered to be played loud with friends under a wide sky.
About Analog Dog:
Based out of San Francisco, Analog Dog is what happens when you blend self-taught grit with classical polish, wrap it in genre-fluid intention, and throw it into the long musical shadow of Golden Gate Park. Their debut “Color TV” already set the tone — unapologetically diverse, emotionally expansive — and now with their second LP “IT’S NOT THE MOENY WE’LL REMEMBER” on the way, they’re sharpening their sound and vision. Whether it’s playing to thousands in Jerry Garcia Amphitheater or opening for The Script, they’ve built their momentum the honest way — one real connection at a time.
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