There’s a real alchemy at work in “Vampire Disco“. It’s chill without being sleepy, soulful without the drama, and catchy without slapping you over the head. The production is lean and elegant — leaving space for Hollings’ voice to do what it does best: wrap itself around your ribs and settle in. Her timbre alone could probably convince the clouds to part.
Thematically, the song lives in the in-between — love found in shadows, trust broken, mirrors held up by unexpected strangers (or should we say, vampires?). Hollings lets us into that vulnerable space where you’re tender enough to attract the wrong kinds of light, but brave enough to face what the reflection shows. It’s a little eerie, a little tender, and completely spellbinding.
What makes “Vampire Disco” unforgettable is its softness: an emotional honesty set against a backdrop that sways more than it marches. It’s the kind of track that makes you want to sway too — maybe in your kitchen at 1am, maybe with someone who knows your bruises and stays anyway.
About Hollings:
Hollings doesn’t just sing — she conjures worlds. Raised between the wilds of Georgia and the choirs of Atlanta, she’s wandered through funk, afrobeat, rock, reggae, and electronica, always gathering new colors for her palette. After the hypnotic waves of her debut EP “Necromancing”, she continued to carve out a space that’s all her own, with nods to everyone from Fever Ray to Bat for Lashes. With features like “Flotilla” making waves on Relix’s Artist Sampler, and a live sound that blends rock sensuality with lounge improvisation, she’s a force quietly reshaping indie electronic. At Where the Music Meets, it’s artists like Hollings that remind us why we do what we do.
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