Canadian indie pop duo Wotts close out their year with “sinking”, a track that feels like a warm embrace on a cold day. Infused with twangy textures, layers of orchestral brilliance, and an irresistible melody, it’s the kind of song that sticks with you long after the last note fades.
Despite its title, “sinking” feels buoyant—light as a cloud and just as expansive. Between its shimmering pop melodies and subtle alt-rock undertones, the track creates a delicate balance that feels uplifting and introspective all at once. The hooks, both instrumental and vocal, are undeniable, weaving a melodic circularity that never grows stale. It’s the sort of song that can loop endlessly in your mind without overstaying its welcome.
The chorus is the star of the show, not in a “sing every word” kind of way, but in the way its energy lingers. It captures a radiance, much like the winter sun—a subtle warmth that cuts through the cold and sticks to your bones. With influences from The Killers’ Sam’s Town and MGMT’s Loss of Life, the track leans into lush maximalism while maintaining a grounded pop charm.
For Wotts, experimentation is part of the process. What started with a simple acoustic strum evolved into a layered, genre-bending piece with orchestral strings, twangy riffs, and soaring drums. According to vocalist and producer Jayem, this is part of their unpredictable journey. “It’s probably not a good thing, but we never really know where a song is going until very late in the process,” he admits. Bassist Ricky 100 explains the new textures as a “get it out of our system” moment that still stays true to their signature sound.
As their final release of the year, “sinking” closes out an impressive 2024 for the duo, including their EP “Good People, Bad People“. With plans for more bold sonic experiments in 2025, Wotts continues to push its sound forward, inviting listeners along for the ride.
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Based in Ottawa, Canada, Wotts is a dynamic indie pop duo that’s as versatile as they are captivating. From their psych-pop roots to the genre-blending experiments heard in “sinking”, Jayem and Ricky 100 thrive on pushing boundaries. Their work has already turned heads at events like RBC Bluesfest and Junofest, earning nods from outlets like CBC Radio and EARMILK. With a track record of reinvention, they’re a name to watch in the indie scene.