From all indie genres, Folk seems to have a special place in our hearts. We can't help to get back to folk songs when we look for some calm and inspiration. When we want to hope for a nice dream. Or when we are feeling in the mood for some very well told stories. As an honour to those feelings, this series is entitled TIFU (Today I Folked Up). Only folk songs from new folk artists. To let you and ourselves go.
Bess Atwell – The Weeping
Bess Atwell, the Brighton-based singer-songwriter, is making waves following two standout performances as the main support for Ed Sheeran at the iconic Royal Albert Hall. Unveiling her latest track, “The Weeping”, produced by Aaron Dessner of The National. Following her well-received single “Sylvester” this new release is Atwell’s first offering since her critically acclaimed album, “Already, Always“, released through Lucy Rose’s Communion imprint Real Kind Records. Known for her captivating voice and nuanced songwriting, Atwell’s upcoming headline shows, including a performance at London’s Union Chapel, will be followed by support slots with The National.
The genesis of “The Weeping” lies in a powerful childhood memory for Bess, growing up alongside her sister, who has severe autism. Singing atop deliberately unfussy instrumentation, Atwell explores the profound connection with her sister, describing them as “two halves of a whole“. The track takes on new resonance as Atwell reveals that shortly after recording both this and the previous song at Dessner’s studio in upstate New York, she received her diagnosis of Autism Spectrum Disorder. This revelation brought a wave of personal and artistic validation, adding depth to her already introspective songwriting. The track beautifully delves into the complexities of growing up with a sibling with autism, weaving a narrative that echoes her own experiences and newfound self-understanding.
Celestine Manno – Crash
Celestine Manno has undertaken a transformative journey in her musical pursuit, transitioning from the serene landscapes of Colorado to the bustling energy of Brooklyn, New York. Having spent years honing her artistry in the mountainous terrains, the dichotomy of city life and mountain tranquillity has woven its way into her music. Manno’s sonic palette is an amalgamation of influences, spanning across genres and creating a distinctive sound characterized by organic electronic production, live instrumentation, and poignant lyricism. Her creative process, led by vulnerability, seeks to resonate with audiences as her songwriting meanders through nostalgic recollections and familiar landscapes, finding beauty in the moments in between.
The latest single taken from her debut album, “Crash”, further serves as a melodic gateway into the 9-song collection titled “Once You’ve Seen It All“. “Crash” exhibits rich vocal layers and infectious hooks, marking the album’s midpoint and reinforcing its status as a “no skips” experience. With each song possessing a life of its own, Celestine Manno’s debut album is a testament to her burgeoning songwriting and promising career, with plans for more live performances and network expansion on the horizon.
Cloudbelly – November
Cloudbelly, the enchanting indie folk ensemble hailing from Western MA, stands as an award-winning musical force with an intimate and cinematic sound. At the helm is singer-songwriter Corey Laitman, a luminary previously associated with the NYC antifolk scene and Signature Sounds record label. Laitman’s ethereal poeticisms, delivered in a spellbinding voice, pay homage to influences like Sufjan Stevens and Joni Mitchell, creating a captivating fusion of folk intricacies. The band’s lineup includes guitarist and ambient sound sculptor Sam Perry (SVIP), drummer, producer, and sound maven Nate Mondschein (also known as Best Mann), and bassist/keyboardist/arranger Reed Sutherland, a notable figure in the Western Mass music scene and a daytime gaming music composer. Together, they weave Cloudbelly’s sonic tapestry, infusing each track with a nostalgic dimension, drawing listeners into a dynamic and introspective journey.
“November“, the latest offering from Cloudbelly, emerges as a yearning and exuberant indie-folk ode exploring the complexities of precarious love and the subsequent emptiness it leaves in its wake. The track’s melancholic strings and bowed guitar gracefully dance above a rollicking train rhythm, creating a wistful momentum reminiscent of a celebratory funeral march. Drawing inspiration from a rich folk tradition and resonating with fans of artists like Noah Kahan, Samia, Bon Iver, Madi Diaz, and Phoebe Bridgers, “November” solidifies Cloudbelly’s position as a captivating force in the contemporary indie folk landscape.
Daniel Ellsworth – After All
Daniel Ellsworth has become a defining force in the music industry, recognized for his boundary-pushing artistry that transcends genres. Hailing from Los Angeles, Ellsworth recently earned a coveted spot on Esquire Magazine’s prestigious The Next 90 list, rubbing shoulders with influential figures like Post Malone, Yusef Salaam, and Patrick Mahomes. Described as a “pop maestro without borders” Ellsworth’s relentless pursuit of innovation has garnered him widespread acclaim. The announcement precedes the release of his fourth album, “HIGH LIFE“, with his backing band The Great Lakes, set to debut on February 16 through Deer Head Music. Demonstrating an evolution of their inventive indie rock sound, the upcoming record is poised to solidify Ellsworth’s position as a maverick in the music landscape.
Renowned for crafting irresistibly catchy hooks that defy traditional genre boundaries, Daniel Ellsworth is the embodiment of independent artistry. As a prolific songwriter and multi-instrumentalist, he navigates seamlessly through various musical styles, blending buoyant pop, carefree indie rock, and pulse-driven hip-hop influences. His distinctive style, reminiscent of a blend between Pharrell Williams and Brian Wilson, also finds a rare common ground in the Folk genre. The latest “After All” is the perfect proof of this. Characterized by bold melodic lines and infectious hooks, this is a track that resonates instantly and remains rooted in a deep and gorgeous pop feel.
East Harbor – Exosphere
Hailing from the sun-soaked shores of Florida, East Harbor is comprised of the dynamic quartet of Josh Dobson, Robby Savage, David Gonzales, and Curtis Wright. East Harbor emerged on the music scene in 2014, carving a niche for itself in the vibrant landscape of alternative pop. Having honed their craft through years of live performances, sharing stages with industry giants like the Chainsmokers, Badfish, and Ballyhoo, the band has cultivated a sound that is both catchy and invigorating. Blending electric guitar leads and bubbly synths, East Harbor crafts a feel-good sonic experience that’s equally at home on a beach cruise or a lively house party.
Their latest infectious single, “Exosphere” was released on the first of this month. In a departure from their usual style, this track delves into the realm of mental health, exploring themes of anxiety and depression. The honest-powerful lyrics, echoing “by the time you find me I’ll be in the Exosphere“, serve as a beacon of hope and self-worth, offering solace to those grappling with inner struggles. With a slower tempo compared to their previous hits like “Away From You” and “NXT2U“, “Exosphere” showcases East Harbor’s versatility, inviting listeners into a raw and beautiful sonic landscape. Fans of Of Monsters and Men, The Lumineers, Coldplay, and Lana Del Rey are sure to find resonance in this captivating addition to East Harbor’s repertoire.
Gata Galactica – La Araña
GATA GALÁCTICA emerges from the vibrant music scene of Portland, bringing a unique blend of sounds that transcend conventional boundaries. Hailing from diverse musical backgrounds, the band members weave a sonic tapestry that draws inspiration from South American Chicha, Afrobeat, surf music, new wave, and psychedelia. Fronted by the enigmatic spirit of their lead vocalist, GATA GALÁCTICA aims to transport listeners to a dimension where rhythms are infectious, and the energy is palpable. Their performances serve as a portal to a cosmic realm, invoking the primal essence of existence. The band invites audiences to surrender to the squirming of the soul and the melting of the body, promising an experience that echoes the primordial origins of life itself.
In their latest single, La Araña, they get into a sonic exploration of the parallel worlds we encounter in the depths of night. The track unfolds as a melodic journey, with rhythmic beats inspired by the subject’s bite. The music begins by offering the listener the promise of a restful night after a day’s toil. The rhythmic melodies create a lulling effect, guiding the mind into the realms of REM sleep. The cabasa acts as a beacon, illuminating a familiar cumbia that serves as a bridge between reality and the land of dreams as the listener succumbs to the seductive embrace of slumber, a mysterious encounter unfolds, marked by chills, paralysis, and lucid visions. The song captures the essence of this nocturnal adventure, guiding the audience through a dance between dreams and reality, ultimately greeting the dawn with a renewed spirit.
simon. – Playing For Keeps
Simon Jankelson, also known as simon., began his musical journey at the age of 7, creating songs on his kitchen floor in South Africa. Influenced by thunderstorms, he later moved to Sydney, where his classical piano background clashed with rebellious phases inspired by Wu-Tang Clan and Beastie Boys, and later, psychedelic/folk influences like Led Zeppelin and Pink Floyd. Joining the Australian indie rock band WIM in 2007, Simon contributed to their blend of 1960s pop, folk, and progressive rock. Despite signing a five-album deal with Modular Records, creative differences during the recording of their debut album in Los Angeles led to Simon’s departure.
Now, and years after, simon. keeps on sharing his music. His latest release, “Playing for Keeps” takes you on a hauntingly beautiful journey, skillfully blending the atmospheric allure of Nick Cave with the heartfelt lyricism reminiscent of Leonard Cohen. This musical masterpiece challenges conventional notions of romantic relationships, inviting listeners to rethink the essence of connection. The question, “If this is a painting, then where is the frame?” echoes throughout, prompting contemplation on whether a relationship can evolve into something greater than the sum of its parts. Beyond just a song, “Playing for Keeps” is a soul-stirring exploration of love and connection, leaving an indelible mark on the heart with its emotional depth and sonic brilliance.
All these songs (and all previous songs featured in TIFU) are also featured on our folk playlist. Follow it on Spotify: