Blick Bassy, the French-Cameroonian artist, released his latest album, “1958“, last Spring on InFiné. Sung entirely in his native language of Bassa, the album is co-produced by Renaud Letang (known for his work with Feist, Lianne La Havas, and Charlotte Gainsbourg).
Following the well-received “Akö” in 2015, “1958” pays homage to Ruben Um Nyobé, an anti-colonialist leader of the Popular Union of Cameroon, who was fatally shot by French troops in 1958. The album is a dedicated tribute to those who fought for Cameroon’s independence, addressing themes of neo-colonialism, the importance of heroes, historical relevance, and the quest for true identity. Blick Bassy‘s distinctive voice and guitar are accompanied by cello, trumpet, keyboards, and trombone in this strong blend of sounds, reflecting the artist’s personal and universal perspectives.
Now based in France, Blick Bassy present us with “Bengue“, a song which encapsulates the essence of his latest record, aiming to transform his soulful singer-songwriter style, known for its emotive melodies that transcend language barriers, by substituting traditional folk guitar with subtle electronic elements.
The lyrics narrate the pollution of village springs, drought, diseases, and the disintegration of local communities—a poignant parable of melancholic beauty linking water, life, and humanity. The track’s harmonious arrangement layers Blick‘s vocals over a blend of traditional folk guitar and understated electronic production.
Barcelona-based producer CLARAGUILAR, offers a celestial and ambient remix of “Bengue“, featuring a delicate pop-chamber arrangement with brooding synths and subtle vocal chopping, breathing new life into the composition.
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